Sudhir Talmale : Geometry, Rhythm & the Architecture of Colour
In the compelling abstract language of Sudhir Talmale, form becomes rhythm and colour transforms into emotion. Born in 1964 and academically trained at Nagpur University, where he completed his Master’s degree in Fine Art in 1988, Talmale has developed a visual vocabulary rooted in structure, balance and chromatic intensity.
Uttam Bhattacharya : “The Poetry of Human Longing & Inner Worlds”
In the evocative world of Artist, Uttam Bhattacharya, the human figure emerges not merely as subject, but as a vessel of memory, longing and emotional resonance. Based in the cultural heart of Kolkata, the artist draws deeply from the complexities of human existence – its silences, celebrations, wounds & dreams.
Sachin Kharat : “Echoes of Ancient Grace & the Eternal Feminine”
Artist, Sachin Kharat’s paintings inhabit a realm where mythology, memory, and feminine mystique converge in luminous harmony. Drawing deeply from India’s vast cultural and spiritual heritage, the artist creates richly layered compositions that feel both timeless and intensely contemporary.
His visual language carries subtle echoes of Ajanta and Ellora, the sensuous lyricism of Khajuraho, the serenity of Buddhist iconography, and the symbolic purity of the lotus.
Prakash Ghadge : “In the Silence of Black & White, the Spirit Finds Form”
Artist, Prakash Ghadge’s artistic practice is a compelling exploration of contrast, stillness, and introspection, articulated through the disciplined language of black and white. Working predominantly with pen and ink, he transforms monochrome into an emotionally charged visual field where light and shadow become metaphors for opposing yet interconnected energies.
Vivek Nimbolkar : “Geometry of Stillness, Landscapes of Inner Light”
Born in Mumbai in 1977, Artist, Vivek Nimbolkar creates abstract landscapes that exist between contemplation and memory, where geometry becomes poetic and colour assumes an almost spiritual resonance. His canvases unfold as meditative terrains – quiet yet deeply alive – inviting the viewer into a space of introspection and rhythm.
Smitha G.S : “Where Memory Becomes Forest, Ritual & Living Myth”
Emerging from the lush cultural landscape of Kozhikode, Artist, Smitha G.S. creates immersive painted worlds where memory, ecology, and mythology converge with haunting intimacy. A self-taught artist, her practice is deeply rooted in the sensory rhythms of Malabar—its forests, rituals, textures, and unseen life forms.
Kahani : Tanjore Reimagined – Gilded Devotion, Bespoke Mastery & Timeless Grandeur
At Kahani, our Tanjore Art collection is a tribute to one of India’s most opulent and revered artistic traditions – where devotion, craftsmanship & grandeur converge.
Working closely with some of the finest master artisans from Thanjavur & across South India, we bring to life extraordinary creations that honour the legacy of classical #Tanjore painting while refining it for the contemporary collector.
Gourishankar Soni : “Echoes of the Desert: – Narratives of Memory, Myth & the Everyday”
Artist, Gourishankar Soni’s practice offers a vivid and introspective journey into the cultural psyche of Rajasthan, where lived experience and inherited memory converge. Born in 1980 in Shrimadhopur, Soni draws deeply from the region’s visual and oral traditions, translating them into richly layered contemporary narratives.
Nitish Bhattacharya : “Between Form and Flux, The Poetics of Pure Abstraction”
Born in 1973, Artist, Nitish Bhattacharya emerges as a compelling voice in contemporary abstraction, orchestrating a dynamic interplay between colour, gesture, and spatial tension. Working predominantly with acrylics on expansive canvases and paper, his compositions unfold as charged encounters – where sweeping brushwork and layered textures collide in rhythmic intensity.
Ramesh Gorjala : “Sacred Narratives Within Form – Reimagining Myth Through Intricate Worlds”
Born in 1979 in Srikalahasti, Artist, Ramesh Gorjala stands at the intersection of tradition and contemporary expression, crafting works that are at once devotional and visually complex. Trained at Jawaharlal Nehru Architecture and Fine Arts University, his practice is deeply informed by India’s rich mythological and artisanal heritage.
Shuvankar Maitra : “Rooted Light: Meditations on Trees, Time & Silent Resilience”
Artist, Shuvankar Maitra’s practice unfolds as a contemplative ode to the quiet intelligence of trees, transforming natural observation into a refined visual philosophy. For an artist attuned to the rhythms of changing seasons, saplings in bloom and winter-bare branches alike become enduring sources of inspiration – especially within the stark contrast of urban life.
Wilson Souza : “The Lyrical Body as Landscape, Desire & Quiet Defiance”
Artist, Wilson Souza has forged a distinctive visual language in contemporary Indian art, where the feminine form becomes both subject and symbol. His semi-abstract compositions, rendered in bold, luminous colour, inhabit a space between dream and lived reality – at once sensual, theatrical & contemplative.
Kayalvizhi Sethukarasu : “Where Silence Breathes Through the Landscape of Memory”
Artist, Kayalvizhi Sethukarasu stands as a compelling voice in contemporary Indian abstraction, crafting landscapes that are as emotional as they are elemental. A graduate of Bharathiyar Palkalai Koodam, Pondicherry Fine Arts College, her practice is deeply anchored in the lived textures of rural India.
Artist, Manish Chavda: “Echoes of Stillness in Meditative, Minimalist Landscapes of Quiet Life”
Artist Manish Chavda’s paintings inhabit a quiet, contemplative world where human presence recedes, and sparse elements—a lone cow, a drifting bird, a still moon—anchor expansive, meditative landscapes. His compositions are pared down yet poetic, each motif carefully placed to evoke stillness rather than narrative.
Artist, Vishnu Pawan stands as a distinctive contemporary voice within India’s evolving art landscape, an artist whose practice is anchored in both cultural memory and personal inquiry. Emerging from North India, Pawan’s visual language draws deeply from the textures of everyday life—rituals, folklore, and the quiet poetry of rural and small-town existence—yet reinterprets them through a modern, often introspective lens.
