Vimal’s brush charts a course on the canvas that gives the viewer panoramic visions of mystic landscapes. The bush, coated with thick pigment, does not rest before it has filled the entire surface; before the paint has ensured that all the natural forms in the frame have been given a colourful, tactile presence. The lines etching out the grass, the leaves, the peduncle, seem to be possessed by a mysterious, lyrical musicality.
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